Culture February 11, 2019 Teddy Pendergrass Doc to Premiere on Showtime This Month. By Jon Blisten / Rolling Stone
Culture, Past Voices February 7, 2019 On Langston Hughes’s 115th birthday, read his ambivalent ode to America. By Constance Grady / Vox
Culture February 7, 2019 Lift Every Voice and Sing ( The Undefeated Mix) Featuring Aloe Blacc and special guests The String Queens / By The Undefeated
Culture February 4, 2019 The Family Business That Put Nashville Hot Chicken on the Map. By Paige Williams / The New Yorker
Culture January 31, 2019 Native Son is an imperfect but mesmerizing adaptation of Richard Wright’s classic novel. By Alissa Wilkinson / Vox
Culture January 28, 2019 R. Kelly Hasn’t Really Been ‘Dropped’ by Anyone in Music. By Amy X. Wang / Rolling Stone
Culture January 17, 2019 R. Kelly and the Complexities of Race in the #MeToo Era. By Jelani Cobb / The New Yorker
Culture January 10, 2019 Black Directors Had A Big Year In 2018 — But Other Inclusion Numbers Stagnated. By Colin Dwyer / NPR
Culture December 27, 2018 The policing of black hair in sports. By Martenzie Johnson / The Undefeated
Culture December 24, 2018 What was Michelle Obama thinking after Trump’s inauguration? ‘Bye, Felicia.’ By Allyson Chiu / Wash
Culture December 24, 2018 Steven Spielberg on Storytelling’s Power to Fight Hate. By Adam Popescu / NYT
Culture December 24, 2018 Roma Is Only the Latest Movie From a Latin American Director About His Family’s Domestic Worker. By Inkoo Kang / Slate
Culture December 20, 2018 What Makes Jeremy O. Harris’ ‘Slave Play’ Such a Powerful Play About Racism. By Tim Teeman / The Daily Beast
Culture December 20, 2018 The Politics of Memory in Barry Jenkins’s “If Beale Street Could Talk.” By Richard Brody / The New Yorker
Culture December 20, 2018 Writing ‘BlacKkKlansman’ was an exploration of ‘twoness.’ By Kevin Willmott / LA Times
Culture December 17, 2018 Ryan Speedo Green: From juvenile delinquency to opera stardom. By Scott Pelley / 60 Minutes
Culture December 10, 2018 People of color will be center stage at Sundance – that’s worth celebrating – Candice Frederick / The Guardian