Not everyone was celebrating the March 1857 inauguration of James Buchanan. In the alleys behind some of those rowhouses, artist Eastman Johnson had spent time with people who were less than pleased about the election of a proslavery Democrat. Slavery was still legal in the capital, and all Johnson had to do to witness it was visit the interior yard of his father’s home on F Street NW. Johnson’s painting of a group of enslaved people in that yard would launch his career. But although Johnson, an abolitionist, intended the scene to humanize African Americans, the artwork would go on to be used as proslavery propaganda. Read more